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...just refocusing on my own blogging...

Posted on Jan 21st, 2009 by Marmalade : Gaia Explorer Marmalade

I've been blogging at my other blogs.  I don't know how much I will continue to use this blog.  Time will tell.  I'm trying to focus more on my own writing and so I'm setting an intention with my new blogs.

I've spent a couple of years belonging to various communities.  I realize that for the time being online communities aren't what I'm looking for.  I'll still continue to visit the various communities I belong to, but they'll no longer be a central focus of my time and energy.

I'm not very good at staying focused.  My motivation tends to be fleeting and my curiosity is always pulling me in too many directions.  Being part of a community is too distracting as I get involved with too many discussions.

Also, I spent these last couple of years looking for the ideal community that fit my purposes.  I've come to realize that, just as in real life, I'll probably never find a group that I feel totally at home in.

All that said, feel free to visit me at my new blogs if you want.  I'm always up for discussion.


http://benjamindavidsteele.wordpress.com/

http://benjamindavidsteele.blogspot.com/

http://my.opera.com/MarmaladeINFP/blog/

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Tagged with: blogging, blog, focus, community

Violence in the Media

Posted on Jan 13th, 2009 by Marmalade : Gaia Child Marmalade
A long discussion about the value of violence in the news can be found in the following God Pod thread:

Pictures from Gaza - warning - disturbing images


That thread inspired me to ask OM about her views about violence in the following thread from the Community Film Picks (zFilms) Group:

11/9/08 NEW -- Slumdog Millionaire OLD -- The Scarlet Pimpernel


Here are some comments from the latter thread where I try to get at my own view of violence in movies:


I completely don't remember who the author was that I was referring to.  It could've been one of those you mentioned.  I remember your blog about Eisler because that was one of the first discussions I had with you.  I bet a discussion about Colin Wilson would be quite enlightening.  Did Wilson ever write about violence in the news or entertainment media?

I'd been meaning to ask you about your views (or whatever) of violence for quite some time.  It was because of the God Pod discussion that it was on my mind and it seemed an opportune moment with your response to Meenkashi.

Its interesting our different experience about "accuracy".  Like beauty, its certainly in the eyes of the beholder which is partly what I included as an aspect of my standard.  What others consider "accurate" might feel glamorized violence to me.  And what might seem "accurate" to me might seem unrealistic to your own sense of "reality".

I guess I relate "accuracy" to my ideals of truth and honesty, but I don't exactly know what that relation might be.  I was raised with parents that drilled those ideals into me at a very young age (I lied a lot as a kid and I was punished a lot... not violently by the way). 

As for my personal inclinations, I think "accuracy" also relates to my sense of curiosity, my desire to know, to absolutely know with open eyes and if possible open heart.... even if that means to know violence and suffering.  Based on personal experience (and maybe in slight revolt to being raised with New Age ideals of Light and Love), I've been long attracted to the mystic tradition of the Dark Night of the Soul.

From discussions with Nicole, I've become very clear about how that which feels inspiring to me may not feel inspiring to others.  I'm "inspired" by what may seem like dark visions of reality.  I'm attracted to tragic romances, ego disintegration, and various other forms of the purifying fire of suffering. 

Apparently, I'm a spiritual masochist. 

My friend has experienced depression as I have.  Our experiences are different and so are our responses.  He is a fighter, and I am not.  I don't fight suffering.  I have found only one thing works for me.  When I see suffering coming for me, I leap into the mouth of the dragon. 

Its a lesson I learned from childhood.   In my early dreams, I was often being chased by monsters.  I could never escape them.  In fact, the more I tried to escape the stronger their hold was.  I somehow discovered that reverse psychology works on monsters.  Monsters can't accept willing sacrifices or at least mine couldn't. 

I guess I took this lesson with me into adulthood.  I've found the only way for me to get out of despair is to dive down to rock bottom.  I always manage to resurface... so far.

I don't know if all that is a healthy attitude, but its my sense of meaning and purpose in life.  It has gotten me this far.  It must be worth something.

Considering what you said, I wonder if I'm any less sensitive than you are.  I'm very sensitive and maybe that is why I'm not a fighter.  I'm not the tough guy who will fight the monster until either its death or mine.  I'm the rabbit that freezes until seen and then I run for dear life.  If caught, I give up immediately.  I resist not evil, so to speak.

So, my attitude isn't one of strength.  Its one of necessity.  Its a survival instinct.  I've learned to face suffering only because I haven't figured out how to escape it.  If I knew the secret to escaping suffering, I'd be gone in an instant.  Every rabbit for himself.  lol

In terms of movies, when I experience the suffering of characters I'm experiencing my own suffering.  Even if I didn't watch the movie, my own suffering would still be there.  At least a movie will give a story to that suffering, lift me for a moment out of my own private torment.  Sometimes movies will even give me a greater vision of suffering... such as A Scanner Darkly, What Dreams May Come, The Fountain, Ordinary People, etc.

Both of us have our respective visceral reactions.

Marmalade


It is good to try to understand the perspective of others.  I'm not sure what the distinction between the views because I don't think its precisely about sensitivity but that does play a part. 

Even within my own standards, I draw the line differently for different types of movies.  Braveheart is very violent and its on the edge of what I can handle, but I wouldn't have enjoyed it if the story was different.  That same degree of violence in a typical horror movie wouldn't be something I'd want to watch. 

If I have a criticism of Braveheart, its that its not realistic enough.  By this I mean that I consider it a moral responsibility of an artist to portray the horror of war with a high degree of accuracy (beyond mere physical realism) or not at all. Braveheart falls too far on the side of romanticizing war through the love of a woman and love of a nation.  The movie doesn't show the horrific aftermath of such fighting and the effect it has on a society.  I forgive it because the story is an interesting piece of history.

Also, "accuracy" must include authenticity which is even harder to define.  A movie could portray violence both physically and psychollogically "accurate", and still not be authentic.  Its easy to glorify violence and romanticize suffering, and its almost impossible to not do so.  Even movies that try to have redemptive visions at their core can never real show the reality of violence as its actually experienced.

In certain ways, I've become more sensitive with age.  This leads me to have higher standards I guess or makes me feel more critical of artists who use violence lightly.  I really believe that artists are responsible for what influence they have on people.  Anyone who doesn't understand that responsibility shouldn't be making art.

On the other hand, I'm strongly attracted to "authentic" visions of the dark.  This attraction is part and parcel with my sensitivity, but its much deeper, even more visceral.  If I sense there may be a truth to be found, I simply can't help myself in looking for it no matter where that leads me.  Its a compulsion.

The same friend I referred to before might be more tolerant of violence than I am in certain ways, but he doesn't have this compulsion of mine.  There is an author (Ligotti) who has written a book about the philosophy of horror.  So far only an excerpt of it is available.  Ligotti has tremendous insight and very dark.  Its not a matter of whether I totally agree with Ligotti or if it makes me happy.  He has a corner of the "truth".  In reading Ligotti, I can sense this "truth" and I have no choice but to try to understand it.

This is one of my friend's favorite fiction writers, but he has "healthy" fear of his nonfiction writing.  He knows that reading it would effect him which to me is the whole point.  He hasn't even fully read the excerpt and considers the book to be a dangerous book (at least for himself).  It is as all "truth" is dangerous.  When we open ourselves to something that can touch us deeply, we risk being changed.

Someone could say that its also important to consider what we are being changed towards.  True.  But I would say we don't ever know where anything leads.  All that I know is to follow my personal sense of "authenticity".  As such, my standards and my interpretations of them only apply for me.  I can't explain my sense of "authenticity".

Marmalade

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Pink's Newest Album Funhouse

Posted on Jan 11th, 2009 by Marmalade : Gaia Explorer Marmalade
I feel like commenting on a musician I don't normally give much attention to.  I just came across Pink's new album Funhouse.  I was merely curious, but was rather surprised to really enjoy some of the songs.  Here is one song from that album that is more low-key than some of the others.

Pink - Glitter In The Air (Lyrics)

I was trying to pinpoint who her voice and style reminded me of.  There is the obvious influence of No Doubt, but she can be edgier than Gwen Stefani.  Its funny that one of her influences is supposedly Mariah Carey... I just don't get that.  Anyways, from the above song, I can hear a hint of Bonnie Tyler which also amuses me.  I'm trying to imagine Pink doing '80s Rock Opera.  Something about her singing does remind me of Freddie Mercury for a reason I can't entirely explain.  Maybe its because she seems to have a Rockstar presence like he had, but Freddie Mercury had more of a depth of sorrow in certain songs that I don't think she can match.

Here is one of her more rocking and playful songs which is the one that first caught my attention, and its a good video.  Its supposedly her biggest hit so far in her career.

P!nk - So What

I also get a sense of other aspects to her singing.  I hear some folk-rock in certain songs and I think she could even do alt-country if she gave it the slightest effort.  I'm not sure what is, but I hear something familiar in songs like the following.  There is the slight gravelly voice that is reminiscent of any number of other female vocalists.  I almost want to say Melissa Etheridge, but I'm not sure that is quite right.

PINK - I DON'T BELIEVE YOU _ HQ (with lyrics)


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Review: The Man on the Ceiling by Steve Rasnic Tem & Melanie Tem

Posted on Jan 7th, 2009 by Marmalade : Gaia Child Marmalade

I don't enjoy most popular horror and I don't normally buy horror to read, but this book attracted me.  It has nice cover art (you can judge a book by its cover), and I had noticed it at the bookstore for some time before finally deciding to get it.  I might write more about this later, but for now my review from Amazon...

It seems some people just didn't get this book.  I suppose I understand their confusion.  Its a very experimental book in how it combines autobiography and story all the while doing this as a collaboration.  Its impressive considering how difficult a challenge this must have been.


I liked it.  There were some deep insights in this book and they avoided giving easy answers or simple stories.  Its not exactly a novel, but I wouldn't go so far to say the label doesn't apply.  There are many stories within the book.  More importantly, its about the process of making stories out of life experience and making sense of life experience through story.


There is a cleverness to this book, but it didn't seem pretentious to me.  What the authors set out to do necessitated cleverness.  I enjoyed how smoothly they mixed nonfiction and fiction.


I was satisfied enough with this book that I give it an overall good review.  It was worth the money spent.  It wasn't perfect, but its hard to imagine any two authors collaborating to create something better.  I've never read anything that compares to this book and so reviewing it is difficult.  Fortunately, I had no expectations going in and so I was able to judge it on its own merits.  However, if someone buys it hoping for a normal novel, then they'd be dissapointed.


There is something specific that I appreciated the most.  Horror is too often limited to the perspective of the individual.  This book is about how closely related are love and fear.


Its a hard book to get a grasp of, but I think it will grow on me more and more.  I immediately read back through the book after finishing it.  I'm sure its a book I will return to many times.

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Marmalade's Meandering Mind

Posted on Jan 7th, 2009 by Marmalade : Gaia Child Marmalade
Here are the things my mind was contemplating this fine evening...

I was walking home with an empty aluminum can that had a screw-on lid.  As it was cold, the air in the can took up less space.  The can contracted into the shape of a square.  That amused me for some reason.  Why did a round shape contract into 4 sides rather than 3 sides or 5 sides?  This incites my child-like curiosity... for whatever that is worth.

Another mildly interesting observation....

While still at work, I was talking to my boss.  His son has a learning disability.  I asked him about it.  His description of his son could just as well have described me as a child.  His son... has recall issues with words and facts (such as abstractions like dates and phone numbers), has good spatial ability in figuring out mazes, does math by breaking down numbers, and likes nature which he enjoys learning about (meaning he can remember certain types of facts that traditional schooling doesn't care about).  What was particularly interesting about this is that my boss reminds me almost exactly of my mom, and deals with his son's disability as my mom did. 

Its strange how humans fall into similar patterns as individuals and also in relationships.  Is there a connection to why a parent like him (and like my mom) might have a child like his son (and like me)?

Okay, next thought...

I started reading a new fiction book: Pandemonium by Daryl Gregory.  I picked it up because it plays off the idea of VALIS from Philip K. Dick.  Anyways, the character hears these sounds that no one else hears, and even he has a hard time of explaining the sounds themselves as they aren't normal.  It reminded me of certain experiences I've had.  I don't hear unusual sounds or anything, but I've had many experiences that are hard to describe.

I don't know about other people's experience.  I'd guess that everybody has experiences that aren't easily described, and probably for that reason most people don't try to describe them or maybe even try to think about them.  Its easier to just ignore the unusual.

So, about my experiences... I've had certain experiences that are very specific.  I've had these experiences at different times of my life but not very often.  However, every time I experience them, I very clearly recognize them and remember having had them before.  The thing is that its hard to recall these experiences when I'm not having them.  They are state-specific memories of specific states of experience.

At this moment, I only vaguely recall one of these types of experiences.  The closest I can come to describe it is that its like what I've felt while under the influence of Nitrous Oxide.  Its a cool buzzing sensation as if I were a contracted cloud of energy... or something like that.  I have no clue where this experience comes from.  I don't even remember the last time I experienced it... maybe several years.  It doesn't seem to have any rhyme or reason, no explanation or cause.  Its just there and then its not.

And the last thought...

For some reason, I was thinking about audio book services.  Finding some spoken word on Rhapsody and Last FM reminded me of how much I enjoy listening to people read.  Its the main reason I fell in love with Burroughs work.  He has an awesome voice.

There is a demand for audio book services.  There are many services, but they're not very innovative compared to the music and movie industries.  Why is that?  My favorite movie service is Netflix and my favorite music service is Rhapsody.  Why isn't there a audio book service that compares to either of these?

I'd be willing to pay for such a service if it was comparable to Netflix or Rhapsody.  So, why isn't any company willing to offer it?  Why does this industry lag behind all others?  Is there just not enough demand?  Am I unusual?  Are most consumers of audio books happy with services that compare to where the music industry was 5 to 10 years ago?

Here I am just wanting to give my money away to some company.  Yet, no company seems to want my money enough.  Well... their loss... fine, I'll just keep my money.  Ha!


That is the end of today's broadcast.  Tune in next time for more deep insights and probing observations of life.
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Anti-Folk

Posted on Jan 6th, 2009 by Marmalade : Gaia Explorer Marmalade
I discovered a new genre of music: anti-folk (Wikipedia article).  My friend was playing some music from Juno which I've seen before.  The movie is decent, but the music is great.

I looked up music related to Juno.  I first came across The Moldy Peaches (their page on Last FM), and I really enjoyed the music.  From there, I discovered Kimya Dawson (her page on Last FM) who was a member of that group.  I like her voice and playful style.

I haven't yet listened to much else from the Anti-folk genre, but I plan on it.  Here is the page from Last FM:

anti-folk

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The music sub-genre known as anti-folk (or antifolk) takes the earnestness of politically charged 1960s music and subverts it into something else. It is still highly debated what exactly the defining characteristics of this sub-genre are, as they vary from one artist to the next. Nonetheless, it is fairly accepted that the music tends to sound raw or experimental; it also generally mocks the seriousness and pretension of the established mainstream music scene in addition to mocking itself.


Videos

  • Play Kate Nash - Pumpkin Soup
  • Play The Sky Is Blue - Millions
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Puppet Stage (a dream)

Posted on Jan 6th, 2009 by Marmalade : Gaia Child Marmalade
Here is a dream from last night.

I was wandering around a large interior structure.  I didn't seem to have a purpose other than exploring a place I was unfamiliar with.  There were other people around, but I think I was walking by myself.  I can't remember most of it.  There is only one particular thing I can recall clearly.

There was a large stage and seating area.  I think there were many peole there, but I don't specifically remember them.  At the back of the seating area, there was another smaller stage-like structure, and by smaller I mean not normal human-sized.  This is the confusing part.  I don't know which stage I saw first, but I think it might've been the smaller one.  I think I didn't even realize it was a stage at first.

Now for the truly strange part.  The small stage had something like pupets on it.  I went to investigate.  I think that might be when I became aware of the larger stage.  It seemed as if the two stages were connected, and I suddenly worried that what I did on the smaller stage would be seen on the larger stage.

Isn't that wacky?  The puppets were influencing (controlling?) the people on the stage.  Also, the real people on the (real?) stage were just as vague as the puppets.
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The Many Rooms of Time (fiction by Ben Steele)

Posted on Jan 5th, 2009 by Marmalade : Gaia Explorer Marmalade
  He had inherited this old house from a side of the family he didn't even know existed.  Apparently, his name had been at the end of a long list of heirs.  It was fortunate for he needed a place to stay.  His landlord, prior landlord that is, had recently evicted him.  He had taken in a stray cat and cats were prohibited... it said so in the lease.  So, he arrived at this house, just himself and the cat.  The cat promptly disappeared, surely exploring as cats like to do.  He decided he should also explore as it was a very large house.   

  He went from the foyer to a side room to a dining room to a kitchen, every room with doors leading to other rooms and in every room clocks: cuckoo clocks, massive grandfather clocks, simple wall clocks, and even a few hourglasses mostly in the kitchen.  He finally came to a room that had display cases of wrist watches, pocket watches, and unusual devices that he thought might be timers.  Looking at these time pieces, he realized all of them were stopped.  He now wandered upstairs and it was beginning to dawn on him that none of them worked.  There was a loose pattern to the times they were stopped at as if each room was not only stale with settled dust but also with settled time.   

  He now stood in what must have once been a bedroom.  A table with a mirror, where he imagined a woman might have sat to comb her hair, had become cluttered with small clocks of the sort found in souvenier shops.  These clocks were held by small figurines or enclosed in globes, and they were all set a little before five as if they waited to be called down for dinner.   

  Walking on, he noticed that each room was captured in its particular moment.  When he made his way to the attic, even the clocks in boxes were stuck in their shared crevice of time.  He kept mental notes of these times hoping he might discover an order to it all, but he couldn't grasp why a room with clocks set almost in unison at quarter after 9 pm was next to a room with clocks set at times dispersed over the hours of late morning.  After a while, he began to notice something or rather a lack of something.  No clock or time piece in any room was set between the hours of 2 and 3 in the am.   

  Continuing to wander, he ended up in a wing of the third floor.  He came to the last room he had yet to enter which was at the back of the house.  The door was part way open and it creaked as he stepped inside.  This room was furnished with just a bed and a bedstand, but more importantly there were no clocks.  He was so struck by this oddity that he didn't initially notice the cat curled upon the bedcover.  The contented feline purred and squinted up at him.   

  He suddenly realized how tired he was.  The time had slipped by and it was now quite late.  Sitting down at the edge of the bed, he tugged his shoes off placing them upon the floor and he unstrapped his wrist watch laying it upon the bed stand.  He lay back, the bed felt so comforting.  The purring of the cat fell in sync with his own breathing.  In a half-dream state, these sounds slowly merged into the clicking of gears and the whirring of springs.  As he further settled into the soft mattress, it felt as if the whole house shifted ever so slightly... but he was so deeply asleep within a moment of time that he didn't even hear the clang of chimes and other distant clamoring noise.
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Mother's Voice (fiction by Ben Steele)

Posted on Jan 5th, 2009 by Marmalade : Gaia Explorer Marmalade
  I'm standing in a kitchen, but it isn't familiar.  I'm on the phone talking to my mother, but she isn't my mother... she is all mothers, a piecemeal recollection of primal longings for mother.  Her voice is, at first, the voice of a mother from a tv show... now, shifting, the voice of the mother of a childhood friend.   

  I'm so focused on this voice that I'm barely aware of the kitchen, but I sense there are children nearby, my children.  I too am a mother.   

  The cord to the phone lengthens as I feel myself moving (stepping?) backwards across the kitchen floor.  In the periphery of my vision, I see flickers of movement.  I worry about the children getting tangled in the phone line.   

  Then, as if stepping back onto stairs that aren't there, I'm falling.  It must be the basement I'm falling into... oh yes, there is the door to the kitchen, a framing of light.  I clutch the phone tightly, the cord still connecting me to the light above.   

  "Mother, are you there?"  I hear her breathing, her heartbeat.  I grip the phone against my cheek as if it were my mother's breast.  I can now see where I am.  I'm falling down a hole, the walls almost within reach.  Faces appear in the walls, strange faces melting into one another.  They luminesce like dying lightbulbs, but when they smile and giggle I know they are my children.  I still clutch the pone and the line still stretches upwards.  I know the cord will only stretch so far before breaking.  Should I let go?
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Marmalade's New Blogs

Posted on Jan 3rd, 2009 by Marmalade : Gaia Child Marmalade
This blog is a continuation of an earlier blog about blogging:

Blogging Options

I've continued to have blogging sites on my mind, but my focus has been renewed.  I thought that getting a new blog started would be a good new year's resolution.  Actually, I've had a number of blogs started for a long while.  I just haven't done anything with them.

I've been playing around with these blogs.  I wanted to experiment with their options.  All have similar functions for my purposes. 

WordPress has pages that can be altered which the others don't, but Blogger has categories that can be used in a similar way as pages.  The concensus is that WordPress is the best option if you are willing to pay for self-hosting and put a lot of effort into developing it.  As for hosted sites, Blogger seems to be better than WordPress... for most non-professional bloggers.  I'm not interested in self-hosting, but still the hosted WordPress isn't a bad option.  It does have a lot of capability.

There are two blogs I had before my Gaia blog, but have only posted on either a couple of times.  Live Journal and My Opera are different in that they emphasize the social aspect and have types of functions you won't find on many blogging platforms.  Both are major sites, and Live Journal in particular is very well established.

I joined Live Journal because of people I knew from MBTI forums.  I belong to some groups on Live Journal, but I haven't visited them in a long time.  Live Journal is very basic in how it looks.  However, I care more about functionality than looks and Live Journal has much to offer.

My Opera was the blog I started right before this one.  I joined there because my favorite blogger (Quentin S. Crisp) posts there.  The downside I found was that there were a fair number of non-English blogs, but that could be seen as a positive in that it attracts an international crowd.  Even though My Opera is not very well known, its a major site that is quite impressive.  I'm surprised that it rarely gets brought up in comparisons between Blogger and WordPress.

There are really good bloggers using all of these.  A good blogger is a good blogger even on a simple blogging site, and vice versa.  I want to explore other people's blogs on these sites to see what others are doing.  I'm also going to start posting on my own new blogs. 

Here are the links to the 4 blogs I'm now focused on:

http://benjamindavidsteele.wordpress.com/

http://benjamindavidsteele.blogspot.com/

http://marminfp.livejournal.com/

http://my.opera.com/MarmaladeINFP/blog/
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